I hate bathhouses.
And I had a meeting with professor Vsevolod in one of the traditional banyas in the city. Everytime I come to a bathhouse I feel I will stop breathing and my heart will explode in a second. After a minute I pray to let me out from that vapours. I cannot breathe and feel myself trapped in a steam cage. I just hope that professor Vsevolod will be finishing his banya habit and we can sit somewhere for a glass of stolichnaya.
The professor was already sitting and sweating in the banya when I came in.
'You have to leave your towel on the peg in the predbannik,' professor Vsevolod greeted me having instructed quickly to bathhouse customs. 'But don't worry, we will still have some time. I have just come here.' Professor smiled.
I hung my towel in the entrance room and returned to the steam compartment. Standing naked I shook hands with the professor. Banya was a spacious wooden bathhouse with few people sitting on the benches. You could hardly see visitors who drowned in thick steam of eucalyptus scent.
The professor stood up, took bunch of twigs and started hitting me on my back.
'This will improve your blood circulation.'
I had to bite the bullet and endure this banya visit. First they send me to Altay then I get this beating from this miserable professor. I knew Altay country is different but sitting here and getting beaten by the professor like as if he were scolding me in a school was too much for me.
'Professor Vsevolod, let just sit...'
'Don't move, young man. I am doing it for sake of your pores. They need to open up properly.' Professor interrupted me, evidently imposing a patronizing tone on me. I felt like in school once again. 'I remember old Pietrov, a kamarad of mine who once withheld such a twig beating for 20 minutes! His was all bleeding like a slaughtered pig and then managed to stay in banya for the next hour. Of course we had to carry him out of the steam room but anyway he demonstrated his resolution. Old Pietrov, he was the one from staraja shkola.' Finally professor Vsevolod stopped the beating, sat down and started to talk.
'This must be someone well-educated.'
'How can you be sure about it?'
'From the small messages that he leaves with his victims. I didn't have this opportunity to study them closely, of course, but from what I have read in the newspapers I gather that the murderer wants inevitably to leave traces behind him. I cannot tell whether he wants to tell us something or he masochistically enjoys being chased after. One is certain, the signs he has been leaving underline definitely the death of the victims. And here is how I would explain it.'
Here we go professor. We are sitting and sweating in the banya, I am almost dying here and professor Vsevolod starts to lecture me with his academic theories.
'There is a connection between the concept of trace and the concept of death based on the whole murder case. The relationship with murdering, that is leading someone to die, manifests itself in killing a man in the present but, on the other hand, leading him or her from that present state into a future or undefined space which is death. Now, the murderer wants only to achieve the effect of the past. But how can he do it? This is where the dead dog lies! He introduces the system of traces. He leaves them with each victim.'
'Why?'
'Don't you understand?! He is not satisfied enough solely with the killing, with taking life. He wants the disappearance of the person, but done totally! And here is how he can achieve it. The total disappearance must be experienced by removing the presence, because only the present state and time keeps us from thinking of a person as living. He wants to get rid of that thinking. He wants us to stop considering a dead body even as dead but in now. in thinking of victims from our perspective, that is in this second, this minute, this time that we are constantly experiencing. He wants to erase the structure of the present from our lives, from our false thinking. He tries to cut the present and bring the victims to the forgotten past where nothing happens and everything is silently dead! Isn't it great? The murderer must be a genius to have come up with that idea!'
'But how he can do this?'
'Removing the sign from the dead body means a total death for the corpse. For us, the dead body is really a dead body. But in the metaphysical sense, by removing the left messages that act as murderer's signatures and signs for victims signify the death of the person in its totality.'
'Professor, please... what does it mean for us, for the investigation, for the public?'
'Well, I have several interpretations of it. One of these can be represented in the graphical form. Let me show it to you.'
Professor stood up, took from somewhere a pen and started to draw a diagram on the wooden wall. I was on the verge of fainting, dizziness was the only feeling now and I couldn't concentrate at all on what professor had said to me. I lowered my head and watched sweat pouring from my forehead. Then suddenly I saw naked body of professor on banya's floor. When I lifted my head I saw a tattooed, naked man coming from the corner of the banya and punching me straight into the face.
'His name is Ivanov Illicz Morotny, aslo known as Zelazny Ivan,' said officer Briacheslav who served as my guide in Altay. I was sitting in the entrance room of banya with police officers around the place.
'Zelazny Ivan killed the professor. You were lucky you got a simple punch and came out of it with a broken nose. He could have easily killed you as well.' Briacheslav knew how to cheer me up. 'You got orders to immediately come back to Stavrospol. Apparently they want to terminate the investigation.'